Best Blue Collar Spirit: John Mellencamp
John Mellencamp has always seemed to relate to the average Joe American. Maybe it's his small-town roots or down-home upbringing, but the Indiana rocker is a blue-collar worker at heart. To that end, he has and continues to perfectly embody the Farm Aid spirit. "Can't trust the police/With their guns or their nights/My, my these are lawless times," he intoned with a cigarette-stained growl on his set-opening "Lawless Times." Hits like "Small Town" and "Pink Houses," both unleashed at Farm Aid, may have a more upbeat sentiment, but Mellencamp is no naïve fool. As the man dressed in black professed on the Farm Aid-appropriate "Rain on the Scarecrow:" "This land fed a nation this land made me proud/And son I'm just sorry there's no legacy for you now." Dan Hyman
Best Show for Youngsters to See How It's Done: Mavis Staples
At 75, Mavis Staples has been using her music as a vehicle for change for decades now. "I look at Farm Aid as like what I try to do for people through my songs," Staples, who grew up on her grandmother's farm in Mound Bayou, Mississippi, told Rolling Stone backstage before her early-evening set. "To help somebody!" And boy, does Staples still have the passion to get her message across: It took no more than 10 minutes into her set before a previously mellow crowd was suddenly on fire, joining the soul-singing legend in renditions of Staples Singers' classics like "I'll Take You There" and "Freedom Highway," the latter with the growling Staples repeatedly declaring, "March each and every day/Made up my mind and I won't turn around" with the same fervor as her civil-rights activist younger self. D.H.
Best Example of "Less Is More": Dave Matthews and Tim Reynolds
When touring with his band, Dave Matthews often can't help but steal the spotlight, whether he's scatting, doing his famous little shuffle or belting out massive vocal runs. Playing at Farm Aid though, with nothing more than a pair of acoustic guitars and his longtime friend and musical partner, Tim Reynolds, by his side, Matthews was able to breathe deep, ease off the gas and let his tried-and-true songwriting do the heavy lifting. "When we play together it almost makes no difference what I do," Matthews told Rolling Stone backstage beforehand. "With Tim it's sort of like I'm being carried." On Saturday, longtime crowd pleasers like "What Would You Say" and "Satellite" were injected with a more forceful immediacy, Reynolds dashing off spiky licks when closing out "Crush." The highlight? The spare "So Damn Lucky," Matthews' chiming chords and inimitable vocals ringing out into the cool evening air. D.H.
Best Ironic Wardrobe: Kacey Musgraves
Kacey Musgraves' most affecting songs, like the young Texan's breakout hit "Merry 'Go Round" — or the majority of her recent Pageant Material LP, for that matter — flip stereotypes on their ass. She may play the part of the down-home country girl when appropriate, but there's fire in this gal's belly. Seeing her sport a frilly, baby blue prom-like dress in front of a backing band in bright pink Nudie suits was only too fitting: She baited the Farm Aid crowd into thinking she was an innocent lady before belting out the truth. "I ain't pageant material/I'm always higher than my hair," she sang when performing her new LP's title track, smirking extra wide before closing out her breezy afternoon set with a foot-stomping take on Nancy Sinatra's outta-my-way-silly-boy anthem, "These Boots Are Made for Walkin.'" D.H.
Best Farm Aid Pamphlet Set to Song: Neil Young
To really get at the heart of what Farm Aid is all about you could visit the Farm Aid website, peruse their literature, or chat up a farmer. You could also become quite knowledgeable just by listening to Neil Young's impassioned and informative performance from this year's event. Young bypassed decades of well-known hits to frontload his set with a trio of snarled protests songs from The Monsanto Years to address, among other things, Monsanto, GMOs, Starbucks, Walmart, big box stores, Supreme Court Justice Clarence Thomas, and "fascists politicians and chemical giants walking arm in arm." He even debuted a brand new song called 'I Won't Quit" that contained lines like "I won't quit fighting for the farmer" sung in such a way that it gave you know choice but to wholly-heartedly believe him.
Showing his kinship to the cause is certainly not a new thing, Young rounded out his appearance with two Nineties-era Crazy Horse tracks ("Western Hero" and "Love and Only Love'), as well as "Alabama" from his classic 1972 album Harvest. The legend was backed by Promise of the Real (including Willie Nelson's sons, Lukas and Micah) for the incendiary seven-song set that was electrified by his scathing vocal delivery, a thundering rhythm section and a flurry of fiery guitar work. Will Hodge
Best Chicago-Style Farming Method: Urban Rooftop Farming
Although Farm Aid hosts an impressive roster of musical artists each year, the festival is much more than just a concert. From their Homegrown concessions serving organic, locally-grown foods, to the Homegrown Village where dozen of booths were set up to engage with and learn more about food and farm practices, Farm Aid is designed to educate as much as it entertains.
With this year's event being held in downtown Chicago, one of the more interesting practices showcased was urban rooftop farming. Darius Jones from Chicago Botanic Gardens spoke to Rolling Stone and outlined some of the unique issues that the sustainable urban agriculture program encounters. "Logistics are everything," he explained. "For example, you can't just use normal compost because it gets too heavy and there's also a huge micro-climate that has to be maintained on a roof." However, Jones and other rooftop farmers like him have been able to make urban rooftop farming a reality. He currently works the Midwest's largest rooftop farm atop McCormick Place (pictured above), the largest convention center in North America. W.H.
Best All-Ages Dance Party: Jack Johnson
Returning to the Farm Aid stage for his third year, Jack Johnson delighted the early evening crowd with his relaxed folk-rock flavors. Backed by his brilliant piano-bass-drums trio, the singer-songwriter handled all of the acoustic and electric guitar work, while simultaneously delivering his vocals with a seemingly effortless cool. Fan favorites like "Taylor," "Flake," "Banana Pancakes," and his "Bubble Toes"/"Not Fade Away" mash-up had the majority of the crowd on their feet and dancing along. Johnson even had everyone moving to a brand-new, venue-appropriate song he had just written the day before called "Willie Got Me Stoned and Stole All My Money." There's no denying the accessible funkiness and all-ages fun of his music when you see the physical effects it elicits in grandmas, grandkids, and everyone in between. W.H.
Best Gospel and Ganja: Willie Nelson
Farm Aid president and founder Willie Nelson closed the day's festivities in style with a collection of feel-good favorites done as only he can do them. The country icon started off with the you-know-it's-coming-but-it-still-sounds-so-good opener, "Whiskey River," and then crooned a couple of Trigger-led staples like "Still is Still Moving to Me," "Beer for My Horses," a seamless "Funny How Time Slips Away/"Crazy"/"Night Life" medley, and a version of "Good Hearted Woman" that was introduced with a touching, "Let's do one for Waylon."
However, it seemed the most "Willie-fied" moment of the evening came with his closing five numbers, a thematic selection of songs devoted to two of his favorite things: gospel music and weed. The hymns-and-hemp assemblage started off with a spirited blending of 'Will the Circle Be Unbroken" and "I'll Fly Away" that invited all of the day's artists back out on stage for the five-song finale. Nelson then launched into "It's All Going to Pot," his duet with Merle Haggard that was released earlier this year (on April 20th, of course), followed by "Family Bible" with additional four-part harmonies from the festival's openers, the Blackwood Quartet. After announcing, "Here's another gospel song I wrote," Nelson grinned his way through "Roll Me Up and Smoke Me When I Die" from 2012 (also released on April 20th, of course). After a few parting words of appreciation, the legend closed his set (and the festival) with an energetic take on the Hank Williams classic, "I Saw The Light." A quick scan of the audience's faces (as well as most of the audience's pupils) showed that Nelson managed to make sure that everyone ended the day on a high note. W.H.
Best Sundown Singalong: Imagine Dragons
As the sun started to descend over the iconic Chicago skyline, Imagine Dragons brought their cinematic pop rock swagger to Farm Aid's stage. Amidst the percussive thump of "On Top of the World," the funky-to-crushing guitar-bass interplay of "I'm So Sorry," and the stage-can't-contain-me front row ramblings of lead singer Dan Reynolds on "It's Time," the band interjected a surprisingly straight-laced cover of Tom Petty's "I Wont Back Down" into their set list. The smart cover song choice charmed the already-hanging-on-every-note crowd even more, resulting in an enthusiastic audience sing-along that perfectly punctuated their inaugural Farm Aid performance. W.H.
Best Jimmy Page Impersonation: Micah Nelson
Micah Nelson was quite a busy man on Saturday as he fronted his own band Insects vs Robots earlier in the day and then played a variety of instruments backing his father and Neil Young for their late-night sets, as well. It was during Young's blistering performance that the younger Nelson embodied "Dazed and Confused"-era Jimmy Page by using a violin bow to play his electric guitar. Sawing away during Young's "Big Box," Nelson was just shy a bedazzled pair of bell-bottoms and a couple of bow points to the crowd from fully pulling off the Led Zeppelin guitarist's guise. W.H.
Best Stage-to-Backporch Transformation: Holly Williams
With a chic denim-on-denim ensemble that rivaled the clear blue sky of her early afternoon performance, singer-songwriter Holly Williams looked every bit the part of a traveling troubadour for her first Farm Aid appearance. Flanked by an upright bassist and husband Chris Coleman on acoustic guitar, Williams crafted a beautifully uncluttered run-through of songs from her most recent album, The Highway. The acoustic trio brought a warm authenticity to the stage that made their short-but-sweet set feel less like a festival show and more like a living room performance. Williams used short storytelling song introductions to engage the audience and they receptively responded back to her in turn after her heart-stirring closer, "Waitin' on June." W.H.
Best Use of Special Guests: Old Crow Medicine Show
You'd be hard-pressed to find a more talented and energetic string band than Old Crow Medicine Show. Not only did they woo the Farm Aid crowd with the country-folk shuffle of "Take 'Em Away" and "Brushy Mountain Conjugal Trailer," along with the off-the-rails romp of "8 Dogs 8 Banjos" and "Alabama High Test," but they know how to make great use of a festival full of talented musicians, as well. The Grammy-winning Grand Ole Opry members welcomed 30-year Farm Aid veteran David Amram on stage to join them for "I Hear Them All"/"This Land Is Your Land" and invited the legendary Mickey Raphael to play harmonica on a cover of Steve Goodman's "City of New Orleans" and their signature sing-along "Wagon Wheel." W.H.
Best Fish Out of Water: Insects vs. Robots
Were it not for this being the third year in a row that Insects vs Robots have descended upon the Farm Aid stage, the self-described "psych-punk-orchestra" may have caused some festival attendees to momentarily scratch their heads during the band's eclectic set. Sure, there was a little harmonica and fiddle sprinkled in, but the trippy song structures, surrealist lyrics, heavy percussive elements, and jazzy, improvisational guitar lines may have been a bit disarming to some. Led by Willie Nelson's multi-talented son, Micah, the band won the early crowd over with their experimental spirit and youthful enthusiasm. W.H.
Best Rebel With a Cause: Jamey Johnson
It's no secret Jamey Johnson plays by his own rules: from forming his own record label to releasing new material at a snail's pace, the man behind 2010's fantastic The Guitar Song has taken up the outlaw spirit first embodied by the Willies and Waylons. Johnson's rebel spirit was on full display at Farm Aid 30: The bearded singer flipped the bird at Music Row with a set-opening cover of Nelson's biting "Write Your Own Songs." "Mr. Purified Country, don't you know what the whole things about/Is your head up your ass so far that you can't pull it out?," he snarled before running through a mellow, cover-heavy set that included a pensive take on Hank Williams, Jr.'s "Wild and Blue" and a sing-along spin on Waylon Jenning's "This Land Is Your Land." D.H.
Best Farm Aid Accessory Combo: Boot and Bandanas
While most festivals don't come with a dress code, there are always certain fashion choices that seem to hallmark a few of them, and Farm Aid was no exception. From the attendees to the volunteers to the bands on stage, there seemed to be a head-to-toe mandate of boots and bandanas for every third person you encountered.
While the accessorized combo might be somewhat expected at a festival that
celebrates farmers and rural America, what was most surprising was the pairing
of one or both adornments with contradictory accoutrement. We're talking cowboy
boots with running shorts and an American flag bandana acting as a pocket square
for a three-piece suit. Whatever the fashion flavor, everyone seemed to pull it
off in style. When Kacey Musgraves (wearing both a neckerchief and boots) led
her band through a slinky cover of Nancy Sinatra's "These Boots Are Made For
Walkin'," there was no question that the majority of the audience was happily
dressed for the occasion. W.H.