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09/17/2009 - John’s appearance on the acclaimed Sundance Channel music TV series “Spectacle: Elvis Costello with...” is available for download now exclusively at the iTunes Store, with DVD release set for Nov. 3.

The episode with John also stars Kris Kristofferson, Rosanne Cash and Norah Jones. Unlike earlier epidodes of the series—which focused mostly on a single artist like Elton John and Smoky Robinson--it took on the nature of a Nashville “guitar pull,” where several songwriters sit around swapping songs and stories.

Ever the charming host, Costello joked that he and John could “arm-wrestle” for the role of Waylon Jennings in The Highwaymen—the country music superstar quartet made up Kristofferson, Johnny Cash, Willie Nelson and Waylon Jennings—being that Rosanne could take the part of her father and that Jones, besides her Grammy-winning pop albums, fronts a country band named after Nelson--the Little Willies. He then sparked a friendly banter with John regarding critical comments Costello mad Read More
09/03/2009 - John Mellencamp - Life Death Live Freedom - 4 stars

In 2007, John Mellencamp hit the road with a batch of new songs that eventually landed on last year's Life Death Love Freedom. This short live record is a swift kick to the gut. Proof that Mellencamp knows what he is doing by taking the music straight to the people. Don't expect rousing live versions of the hits, this is strictly from the last record, and strictly heavy duty emotion.

Click HERE to read the full article on their website. Read More
09/01/2009 - John has completed the recording of his next album, “No Better Than This.”

He recorded the set at three locations during his just-finished summer tour with Bob Dylan and Willie Nelson: the First African Baptist Church in Savannah, Ga., Sun Studio in Memphis and the Gunter Hotel in San Antonio.

The church in Savannah, as reported here previously, was the first started by African-American in America. As David Fricke noted in his feature in the latest issue of Rolling Stone, it was a major stop for runaway salves on the Underground Railroad--across the street, John related, from a “flogging square” where slaves were publicly beaten.

John and Andy York participated in the sessions, which took two days in early July and used a single microphone. The sessions at historic Sun Studio took two days late in the month, again during off days from the tour.

At Sun, John and Andy were joined by Nashville bassist David Roe, who played with Johnny Cash, and top New York session gui Read More
08/31/2009 - I want to thank everyone who attended our shows this summer with Bob Dylan and Willie Nelson, and I hope you enjoyed them as much as I did.

I’ve known Willie and played with him for years, of course, and that’s always a lot of fun. But it was really special for me to spend so much time with Bob. It was like getting to be with Shakespeare every night!

And I’m so happy that my new song “Save Some Time to Dream” was so well received when we played it live. We recorded it during the tour and it will be on my next album, “No Better Than This,” when it comes out next year.

I hope to see you all again next time we hit the road.
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08/20/2009 - Three years ago John was so moved by a book of photographs of the townfolk of LaPorte, Indiana, that he gladly contributed the back-cover blurb.

“These are real people,” he wrote. “The grace and dignity one sees in their faces should be a source of hope for us all.”

Published in 2006, the book was simply entitled “LaPorte, Indiana,” and contained scores of plain black-and-white portraits commemorating the small town’s births, first communions, graduations, weddings, promotions, anniversaries and retirements--all taken by a local photographer between 1940 and 1960. Like John, director Joe Beshenkovsky was so affected by the portraits that he came to Indiana to make a documentary about the people themselves--and what happened to them in the decades that followed.

The producers of “LaPorte, Indiana: A Documentary Film” anticipate screenings of the completed film some time next year.
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08/20/2009 - From the new issue of Rolling Stone magazine hitting store shelves today (The Beatles on the cover). Article features a photo by Ian Markus from the Sun Studio sessions:

New disc recorded live in Sun Studio and other historic locations
By David Fricke

The music is as old and basic as the room: dirty-treble electric guitar; the fast, rubbery thwack of an upright bass; brisk strumming on an acoustic guitar. “Each day of sorrow/Just brings me closer to goodbye/And if I weren’t so afraid/I’d lay down and die,” John Mellencamp drawls into a 1950s-vintage microphone in one corner of Memphis’ Sun Studio.

“Each Day of Sorrow” is one of several new songs Mellencamp is recording for his next album at Sun over two nights in late July. As he leans toward the mike, Mellencamp lifts a boot heel, revealing an X on the floor made with two pieces of electrical tape, now black with wear and grime. It is the spot, marked by producer Sam Phillips half a century ago, where Elvi Read More
08/19/2009 - You can follow news and updates from via our Twitter feed at - follow us today! Read More
08/19/2009 - John has four tracks on a huge upcoming DVD box set release from Time Life in conjunction with the Rock and Roll Hall of Fame.

The Sept. 11 release is entitled “Rock and Roll Hall of Fame Live” and comes in several configurations, including a 9 DVD collection featuring rare, one-of-a-kind performances from the induction ceremonies of the Rock Hall Of Fame, shot during the last 24 years. Each disc also features exclusive induction speeches by rock legends along with over an hour of bonus material, including rare, behind-the-scenes and rehearsal footage.

Priced at $120, this edition contains 125 performances. But there’s an even bigger version available exclusively online for $265 that also includes five DVDs from “The History of Rock n’ Roll” series, plus a Rock And Roll Hall Of Fame: The First 25 Years book.

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08/18/2009 - Top 10 must-have CDs by Steve Guttenberg

What follows is a list of my favorite sounding CDs of late, in no particular order. My preference is for realistic-sounding recordings, recordings that allow the band to sound "live." And sure, I like lots of recordings that are heavily processed, but I wouldn't by any stretch use them to "test" the naturalness of a speaker.

Mellencamp digs deep - John Mellencamp, "Life Death Love And Freedom"

Another T-Bone Burnett production, with Mellencamp in a stripped-down, contemporary blues mode. Tunes alternate between sweet unplugged and rough-hewn electric grit. But it's a very vivid sound, so Mellencamp and company sound like there right there in your room.

Other titles on his list (click here to read his full thoughts on each online part 1 | Read More
08/16/2009 -
John Mellencamp on Facebook
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08/16/2009 - By Jim Beal Jr.

Outside the Gunter Hotel it was the same-old, same-old, just plain South Texas hot.

In Room 414 of the downtown hotel, a singer sat in a folding chair atop a bit of borrowed ballroom dance floor, playing an acoustic guitar and facing a single microphone.

Inside the adjoining room, 413, a tall man reclined on a king-size bed while a couple of engineers worked with reels of tape on an Ampex recorder.

It might have been a scene from 1936, when Robert Johnson recorded what was to become legendary blues in the Gunter. But it wasn't. It was earlier this month, and heartland rocker John Mellencamp and two members of his band, fiddler Miriam Sturm and guitarist Andy York, gathered around a vintage microphone laying down songs while Grammy winning producer T-Bone Burnett, the tall man from Los Angeles by way of Fort Worth, made suggestions now and again.

There was Perrier water in ice chests in a bathtub, laptop computers and iP Read More
08/13/2009 - Writer Jimmy Patterson's review of Lubbock The Bob Dylan Show included these thoughts on John's performance:

Mellencamp, though, was unquestionably the high point. His volumes of midwestern angst and rebellion, and subtle lyrics that hide behind what at first sounds like anthemic odes to man and country, put him, along with Springsteen, as an obvious successor to Dylan; Mellencamp, once shed of the Johnny Cougar image and beyond his 'Jack and Diane,' days, turned into a voice for his generation, my generation. You might not always like what he has to say, but he has at least had the backbone to say it.

Click HERE to read the full show review Read More
08/12/2009 - By Vanessa Franko

John Mellencamp was FANTASTIC!

I had a blast. I loved Willie, I loved Mellencamp, Dylan will have to bring it.

The arrangesments were really good. They were different, too. Mellencamp opened with "Pink Houses," which I think captured this entire evening. "Ain't that America?" Yes it is.

T-Bone Burnett came out and did a song with them, which was awesome.

Mellencamp even asked the crowd what they wanted to hear at one point--an old song or a new song. When the overwhelming response was for the former, he said, "I guess we're in a nostalgic mood this evening. I'm trying to think of one that would be right for the moment."

Then he did "Cherry Bomb" a cappella. It was just sublime.

He also did "Paper In Fire," "Crumblin' Down," "Check It Out" and "Small Town" mixed in with some new stuff. "Scarecrow" was extremely pow Read More
08/10/2009 - By William Kerns

Even taking into consideration the masses who were busy leaving the venue just a few songs into Bob Dylan's headlining set - a fact that I'll explore later - it is impossible to find much fault with the concert by Dylan, John Mellencamp and Willie Nelson at Texas Tech's Jones AT&T Stadium on Saturday night.

A near-sellout crowd was treated to memorable performances by icons who have proven to be indefatigable for decades, with each taking advantage of their own colossal bands while providing a glimpse of musical souls.

Keeping in mind that Mellencamp is the baby within this trio at age 57, there is little more than a Farm Aid connection tying the three men together.

Thus, one might assume a potential risk in expecting fans of one musician to equally appreciate the two others.

And yet the billing worked - perhaps because Dylan, 68, and Nelson, 76, are linked by a shared legendary status.

That said, it was Read More
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