07/15/2009 - By THOMAS KINTNER - Special to the Courant|
Bob Dylan's seemingly endless barnstorming finds him once again playing minor
league baseball parks, this time around with John Mellencamp and Willie Nelson.
The show at New Britain Stadium Wednesday was a dazzling, powerful survey of
iconic American music.
Dylan focused on his electric guitar as he warbled out "Rainy Day Women No. 12
and 35" for starters. He shifted to keyboards for the duration, from the jaunty
"The Levee's Gonna Break" to the pulsating "Trying To Get to Heaven," inserting
a ringing harmonica break into the latter.
Dylan's singing adheres to no classic notions of phrasing but is effective,
almost a sonic italicization that placed the words of "High Water (For Charlie
Patton)" in sharp relief against their musical backdrop. His voice provided a
gravelly centerpiece in "Tweedle Dee and Tweedle Dum" as he and his five-man
band segued to a flurry o Read More
07/15/2009 - Live Daily, the music and entertainment
website, has launched a John Mellencamp signed guitar contest.
One grand prize winner will win a copy of the new live CD,
Life Death Live and Freedom, along with a Fender Squire
Telecaster guitar signed by John! Don't miss your chance to
score a copy of the new CD and a sweet piece of rock
memorabilia. Five runner-ups will win a copy of the Life Death
Live and Freedom CD. Click HERE to enter. Read More
07/15/2009 - It took an hour just to get out of the city yesterday, but we had the good
sense to leave early in the afternoon and made it to New Britain Stadium in New
Britain, Connecticut with time to spare before The Bob Dylan Show with John
Mellencamp and Willie Nelson began with a brief set by eclectic NewYork acoustic
quartet The Wiyos. They more than lived up to
their advance notice while we made full use of our catering privileges, their
version of Little Walter's classic Chicago blues staple "My Babe" standing out
Willie followed, and as Harry Sandler (John's former longtime manager who's back
on board managing this tour) noted, "he's been around 70 years and he'll be
around another 140." And why not? Willie's show doesn't change, but it's always
tops. He sounds as good as ever, plays as good as ever, satisfies as good as
ever-and that goes for his band, too. After the
set his ace harmonica player Mickey Raphael was excited about his new t Read More
07/15/2009 - By John Moser
Allentown's Coca-Cola Park has an admirer in John Mellencamp.|
After a blistering, 12-song, hour-long set in the stadium Tuesday, Mellencamp
stood outside his silver Airstream trailer in the tour bus area behind the right
field wall, unwrapping a pack of Salem cigarettes.
For how intense Mellencamp was on stage, he was mellow and quiet backstage,
enjoying Allentown's cool dusk air.
"It's really a nice place," Mellencamp said. Told he was playing the first
concert ever at the year-and-a-half-old facility, he said, "Really? I hope we
get to come back."
Of course, Mellencamp probably is biased.
His wife, former model Elaine Irwin Mellencamp, is a native of Berks County and
knows Allentown well.
Elaine Irwin Born in Gilbertsville, she attended Boyertown High School, where she
was a varsity letter winner in track and cross country before entering the
modeling industry in 1985. In a 2002 interview Read More
07/13/2009 - By Ken Tucker|
Recorded live in 2008, "Life Death Live and Freedom" is a companion piece to
John Mellencamp's acclaimed "Life Death Love and Freedom." That said, "Live"
stands on its own. The eight-song album is an honest-to-goodness testament to
Mellencamp's longevity, artistry and ability to connect with his audience. When
"Live" was being recorded, the tunes were new to the audience, which responds
enthusiastically nonetheless. "Longest Days," with its stripped-down acoustic
guitar and trademark Mellencamp growl, is raw and real. In fact, the album
wasn't overdubbed or tweaked in any way—something exceedingly rare these days
when it comes to so-called "live" sets. But we wouldn't expect any less from
Mellencamp. Other highlights include the driving "If I Die Sudden," "Troubled
Land," "Don't Need This Body" and "Young Without Lovers," which turns into a
07/13/2009 - In one corner of the culture, it doesn’t get more quintessentially American
than baseball, Willie Nelson, John Mellencamp and Bob Dylan, which makes the
trio’s minor league ballpark tour a summer ‘09 essential. When the show pulled
into Eastlake, Ohio, this weekend, the air smelled like a street fair:
fresh-boiled hot dogs and reasonably priced drafts. The crowd standing in the
outfield or sitting in general-admission seats was a mix of grandparents in polo
shirts, leather-clad Hell’s Angels, indie rockers in black glasses with their
button-down parents and as many 10-year-olds as you’ll see at a concert that’s
not affiliated with Disney. |
At 76, Nelson is still on the road, continuing a career that’s seen him write
Patsy Cline’s “Crazy,” record with Booker T. Jones and ride shotgun with Johnny
Cash. Just after 6 p.m., a giant red-white-and-blue Texan flag unfurled as
Nelson sang the first words to his traditional set opener, “Whiskey River.”
Dressed in black from hat to boo Read More
07/13/2009 - By Matt Melis|
Monday night’s Bob Dylan, John Mellencamp, and Willie Nelson concert at Consol
Energy Park— home of the Washington Wild Things minor league baseball club — had
the vibe of a festival. Each fan who clicked through the ballpark turnstiles had
an act he or she was most eager to see. However, with three living legends on
the bill, each artist’s contingent was at least curious and often enthused to
check out the other sets. So, whether folks were there primarily to see a voice
of a generation, a cougar, or a redheaded stranger, no camp of fans was even
remotely considering ducking out early or wandering too far off while another
icon took the stage.
I’ve never understood the frequent dismissal of John Mellencamp as a “poor man’s
Springsteen.” While he may share common influences and even subject material
with “The Boss,” Mellencamp definitely has the songwriting chops and hits to
rival any act going and has made his indelible mark on modern rock music. Even
i Read More
07/12/2009 - John's management and ClubCherryBomb.net
are looking for Mellencamp fans to check stores in and around
the cities being visited on The Bob Dylan Show tour for copies of John's new album Life Death LIVE and Freedom. This is
very similar to the store checks many of you have helped us
with in the past. Once again there are rewards for those who check five stores, and random rewards for
those who even check one store regardless of if you are in the
area of a Dylan show or not! Click HERE
to read about the project and please consider helping out!
Checks are needed for several cities right now and more helpers are needed for Bethel Woods, NY, Orange Beach, AL, Lubbock, TX, Essex Junction, VT, Aberdeen, MD, Norfolk, VA, Simpsonville, SC, Albuquerque, NM.|
07/12/2009 - By John Soeder - Plain Dealer Pop Music Critic|
What was major-league talent Bob Dylan doing in a minor-league ballpark?
The short answer: anything he wanted!
The "poet laureate of rock 'n' roll" (per his campy introduction) headlined a
fun concert Saturday evening in front of 6,900 fans at Eastlake's Classic Park
(home of the Class A Lake County Captains). Also on the bill were Willie Nelson
and John Mellencamp.
Unlike many acts of his generation, Dylan, 68, refused to pander to the masses
with a greatest-hits revue. Instead, he showcased rootsy tunes from his most
recent albums, including rough-and-ready versions of "Tweedle Dee & Tweedle
Dum," "Thunder on the Mountain" and (from his latest release, "Together Through
He also reached deep into his back pages for the epic "Blind Willie McTell."
The choice of material thinned out the crowd's ranks, Read More
07/11/2009 - Life Death LIVE and Freedom Review - July 10, 2009 - by John Moser|
ROOTS ROCK | It was easy in the mid-1980s to think of John Mellencamp as a poor man’s Bruce Springsteen, singing catchy but not terribly original populist roots rock.
But more than 20 years later, Mellencamp shows on his stunningly good new disc “Life Death LIVE and Freedom” and its companion piece, last year’s “Life Death Love and Freedom,” that he’s far better than we ever gave him credit for.
While it may seem he’s tapped into an easy subject – we baby boomers certainly are obsessed with death, or avoiding it – the truth is that Mellencamp is simply being painfully honest, facing his own demons, which just happen to be the same we’re all facing.
And by doing so he’s creating far more interesting music than not only Springsteen, but the type of music Bob Dylan should be doing.
“Life Death LIVE and Freedom” is a collection of eight songs from the studio album recorded as they were road te Read More
07/10/2009 - By Tom Archdeacon|
What a a great night to be in Dayton.
That might not be something NCR president Bill Nuti ever said, but then he
wasn’t at Fifth Third Field Friday night for the Bob Dylan, John Mellencamp and
Willie Nelson show.
Let me tell you this right off, Mellencamp flat out stole the show. He energized
the crowd that jammed the field around the stage and filled many of the seating
sections in the two-tier ball park.
I loved everything he did: “Pink Houses,” “Rain of the Scarecrow” and especially
“Small Town.” Maybe that’s because I’m from a small town, too. One that’s a lot
smaller than Seymour.
“Educated in a small town
Taught the fear of Jesus in a small town
Used to daydream in that small town
Another boring romantic that’s me.”
One of the best moments of the night was seeing Willie Nelson share the stage
with his son.
I know Dylan was the headliner of the five-hour show, but a lot of people
clear Read More
07/09/2009 - By Jeffrey Lee Puckett|
Mellencamp related portion of the show review: Mellencamp also did his share of
tinkering during a stellar set. His first few songs, including "Pink Houses" and
"Paper in Fire," were all hopped up on Delta blues, giving them an ominous
quality without diluting the impact of the originals.
And he once again proved himself a master of pacing and dynamics when he steered
the show from an acoustic version of "Small Town" to a full-blown rock 'n' roll
set before you even realized what had happened. There were some grumblings about
"Jack & Diane" being left out, but that screaming version of "Crumbling Down"
should have satisfied anyone.
Click HERE to read the entire show review on the paper's website. Review
includes a photo gallery from the show.
07/07/2009 - He Prepares for Summer Ballpark Tour With Bob Dylan and Willie Nelson - Written by Craig Shelburne|
During a recent visit to the CMT offices, John Mellencamp was
asked about the treatment for his latest video, "A Ride Back Home."
"Treatment? I don't know what that means," he replied. Luckily his duet partner
-- Karen Fairchild of Little Big Town -- steps in.
"Well, he's the video treatment because he always comes up with the concepts, so
he just runs with whatever he wants to do. It's not the traditional way of
soliciting treatments," she explains, referring to the common practice of asking
video production companies to submit ideas.
"Oh, I have never done that," Mellencamp says, softly. "I have made 50 videos. I
think I did that one time, and I didn't like that experience. I made a video in
1984 called 'The Authority Song,' and I was on tour and I was very busy, and the
record company hired some guy Read More
07/06/2009 - By Sean Clancy |
John Mellencamp Life, Death, LIVE and Freedom Hear Music ABacked by a crack band, the former Johnny Cougar rips through (and generally improves the vocal performance of) eight of the tracks from his excellent folk-rock album from last year Life, Death, Love and Freedom on this tour souvenir EP.
These no-frill live versions of Mellencamp-penned songs have no overdubs or studio enhancements, and they reveal an angry singer in magnificent voice. Based on his recent work, Mellencamp sounds determined to bring tough-minded sincerity back.
Click HERE to read the review on their website.
07/06/2009 - By Andrew S. Hughes - Tribune Staff Writer|
SOUTH BEND — A hard rain didn't fall, but a persistent one did for about half of
Saturday's concert at Coveleski Stadium by Willie Nelson, Bob Dylan and John
For the most part, the inclement weather didn't dampen the spirits of the
record-breaking concert crowd of more than 8,500 people, although the audience
seemed most alive and energetic during Nelson's rousing closing set, after
darkness and falling temperatures chilled the air.
The eclectic acoustic quartet The Wiyos opened the concert with a fun, half-hour
set of Western swing and country-blues that fit perfectly with the music of the
Mellencamp, of course, opened with "Pink Houses" and its refrain, "Ain't that
America, home of the free," while violinist Miriam Sturm and accordionist Troye
Kinnett provided the fireworks in the first of several intense duet instrumental
breaks during Mellencamp's s Read More